Saturday, June 14, 2025

Music creates community

Music Creates Community 
Written by guest blogger Starfalls (Josefina A.)


Music brings to light the communities that have been there waiting to be found. We attend karaoke events, join music Discord groups, and share playlists because these reflect our common connections, despite our differences.

In that way one note flows into the next, one song leads us to the next, and one person connects us to another, until we see clearly that the pattern of notes and songs, the differing identities, and the blend of communities become the music that permeates our existence. 
Some artists make this understanding clear in their approach to producing music. For example, the Frost Children have expressed that listening to, and collaborating with, a wide range of artists and genres has enhanced their creativity, enhanced their abilities, and led to innovation and deeper connection to their music.(1,2,3)

Another young artist who is innovating and creating communities through his music is Xicu, a Catalan music producer and composer. I first came across his music due to his collaboration with Socunbohemio, another Catalan artist. 

The song that first caught my attention was Sempre et Busco* from the album Sacrificis. I do not speak Catalan. What I thought I understood was the title: “I always search for you.” And what I was first drawn to was the sound. The song starts with the sound of haunting whispers, layered voices, not quite comprehensible, followed by a catchy upbeat tune underneath sad, nostalgic vocals. This song drew me in and resonated in a visceral way. The drumming, like a heart beat, was pleasantly persistent. Through problems and struggles, the artist seems to communicate an acceptance and resilience, particularly as the “light shines in from the balcony” at the end of the song.(4)

Xicu explained in an interview in the Spanish online magazine, Mondo Sonoro, that the album Sacrificis came about because he was struggling with a creative block. He began thinking about everything that was happening in his life that was making it difficult to create. He thought about his difficulties with the music industry and the sacrifices he had to make to take part, including leaving his local band in his hometown to try to make it in the music scene in Barcelona. That reflection led him to write about those sacrifices, and the result was the album.  He decided that leaning into his struggles and darker periods is an avenue for creation and growth.(5) 

In another interview in Ara, also a Spanish online magazine, Xicu indicated that he instinctively knew which voices and musicians he would want to collaborate with for specific songs — Triquell, Souto, Socunbohemio, Ven’nus y Maria Hein. Xicu indicated that he wants to break barriers and explore new sounds. He explained that although his sound sometimes references Rusowsky, Ralphie Choo or Tristan because they’re the closest thing to alternative music in Spain, he also references Kanye West, Frank Ocean, Tyler the Creator, and Travis Scott, foreign urban music. Of Maria Hein, he says that she, Julieta, and la Mushkaa, are not mainstream but that they are the most interesting artists in the Barcelona music scene at the moment.(6)

Stay tuned to learn about another artist next week.




Sempre et Busco
 - Lyrics in Catalan followed by Duck.Ai translation to English


M'agradi o no m'agradi se que ja està fet
Almenys et dic que ja ho he après
No estic pas malament no vull que canvii res
A tot arreu on vagis vull que estiguis bé

I sempre et busco als llocs on ara vaig
I com no hi ets no et deixo de buscar

S'acaben les històries que no acaben mai

I no vam fer res
Ni bo ni dolent
Simplement el temps
Ens va fer saber
Que allò que és tan pur

I allò que és tan cert
No és per ningú més
Que per qui ho protegeix
I havia d'allunyar-me i t'havia de perdre
Conèixer aquells errors que no vaig reconèixer
Tot el que ja tenim ens costa massa veure-ho
Però quan no ens necessita ens ve la por de perdre-ho
Llavors tots els problemes salten a la vista
Les merdes que al principi ens eren invisibles
Tot el que no parlem ens esquitxa la cara
No vam cuidar-ho ahir i ens ho està tornant ara

I ja no viurem junts però després de tot
Encara toca el sol al nostre balcó
Hi viu algun estrany que ha tingut la sort
Que li entri tanta llum al seu meneador

Que li entri tanta llum al seu menjador

GPT-4o mini: Translation of the text from Catalan to English


Like it or not, I know it’s already done  
At least I can tell you that I’ve learned it  
I’m not doing badly; I don’t want anything to change  
Wherever you go, I want you to be well  

And I always look for you in the places I go now  
And since you’re not there, I don’t stop looking for you  

The stories that never end are coming to an end  

And we did nothing  
Neither good nor bad  
Simply, time  
Made us realize  
That what is so pure  

And what is so true  
Is for no one else  
But for those who protect it  

And I had to distance myself, and I had to lose you  
To recognize those mistakes I didn’t acknowledge  
Everything we already have is too hard for us to see  
But when we don’t need it, we fear losing it  
Then all the problems come to light  
The crap that was invisible to us at first  
Everything we don’t talk about splashes in our faces  
We didn’t take care of it yesterday, and it’s coming back to us now  

And we won’t live together anymore, but after all  
The sun still shines on our balcony  
Some stranger lives there who has been lucky  
To have so much light enter their living room  

To have so much light enter their living room  
 

Friday, June 13, 2025

Thursday, June 12, 2025

Polyphonic singing (video)

What is polyphonic singing?

The polyphonic qualities are possible when a vocalist is able to manipulate the natural resonances of their vocal tract. It is a texture where two or more independent melodic lines sound simultaneously. This contrasts with "monophonic" music, which features only a single melodic line.




Learn how to sing polyphonic from this vocal coach!


Wednesday, June 11, 2025

Good mic technique

Do you know singers whose singing is too loud, overdriven, distorted, muffled, or getting feedback? Here are some mic handling tips to make sure that singer isn't YOU.

It's Not an Ice Cream Cone

Never hold the mic vertically like an ice cream cone. If you sing like this, your voice will travel over the mic and across the grille. This position will barely pick up the sound in a clear way. Instead hold it horizontal (at 1 to 2 fists distance away) with the head of the microphone facing your mouth.





Avoiding Plosives

Place the mic slightly off-axis to your mouth... not directly in front of it. This helps avoid plosives and other unwanted noise. Plosives are the breath sounds that come when saying P and B.  

Dynamic Mics
Dynamic mics often benefit from closer placement (5-15cm/ approx 2-6 inches)

Condenser Mics
Condenser mics should be placed further away (10-20cm/ approx 4-8 inches). 

Know your Levels

The best thing to do is make sure that you have proper levels with how loud your voice is and how much the mic is picking you up. We can hear this best through a monitor which is any device that is playing what the mic is picking up from your voice back to you.



Sites for Reference

Monday, June 9, 2025

What to consume (or not) before singing

I recently ran across an interesting article posted by The Vocal Gym covering what you should and shouldn't consume before singing.  Every vocal instrument (body) is different and that means that they are affected differently by food. Eating several small meals spread throughout the day is better for your digestion than 2 or 3 large meals, because smaller meals help you steady your metabolism as  they prevent your body from ´crashing´ after a large meal.

What NOT to consume before singing:

  • Dairy
  • Processed sugar
  • Fried food
  • Caffeine
  • Alcohol
  • Red meat
  • Spicy food

What TO consume before singing:

  • Water. 
  • Fresh fruits and vegetables
  • Honey
  • Nuts
  • Chicken/Fish

Every singer should get to know their own instrument and eat according to what they observe. Some people for example get bad acid reflux from citrus fruits, while others can eat several oranges throughout the day without noticing a thing. 

To read the article in more detail go to https://throga.com/what-can-i-eat-before-singing/




Sunday, June 8, 2025

Freddie Mercury: An extraordinary voice (video)

On April 19, 2016, scientists confirmed that Freddie Mercury had one of the most extraordinary voices ever. A team of researchers from Austria, the Czech Republic and Sweden dedicated their research to the voice of Freddie Mercury.

Dr. Christian Herbst of the University of Vienna, in his article published in the journal Logopedics Phoniatrics Vocology, wrote: "The emergence of subharmonics helps create the impression of a vocal system pushed to its limits, used with extreme mastery. These characteristics, combined with a fast and irregular vibrato, may have contributed to creating Freddie Mercury's eccentric and theatrical character ."

Scientists discovered that Freddie Mercury's vocal cords moved at a faster speed than others. His vibrato, typically oscillating between 5.4 and 6.9 Hz, reached 7.04 Hz, a frequency so high that it vibrated the throat in a way that not even Pavarotti was able to replicate.

Freddie demonstrated a mastery of subharmonics, a singing style only manageable by Tuvan singers, and did so with disarming ease. The conclusion was unequivocal: Freddie Mercury possessed a unique voice in the Rock 'n' Roll panorama, making him one of the most singular artists.

Freddie's vocal range spanned 4 octives - from Baritone to Mezza Soprano. Freddie Mercury used subharmonics, a technique where the ventricular folds (false vocal cords) vibrate along with the vocal folds. This creates a lower note that can be heard along with the main note, giving the impression of singing multiple notes at the same time. 

He also used harmonics, which are the natural overtones produced by the vocal folds, to create a rich and complex sound. Freddie Mercury had a very fast vibrato, which is a slight fluctuation in pitch that adds expression and texture to the voice. His vibrato rate was higher than most, even reaching 7.04 Hz, while a typical vibrato is between 5.4 and 6.9 Hz.

While these techniques allowed him to create complex and layered vocal sounds, they did not involve multiple individuals or multiple vocal parts singing in harmony, which is the traditional and accurate definition of polyphonic singing. 





Saturday, June 7, 2025